There’s been several story and gameplay trailers released in the lead up to launch that helps illustrate what we can expect from Star Wars Jedi: Survivor. Cal Kestis is soon set to return in the sequel, which looks a lot more ambitious. Prior to this point EA had been missing the mark with ill-judged loot boxes in multiplayer shooter Star Wars Battlefront 2, so getting to play as a Jedi on the run felt liberating and was truly cinematic. Just when we thought we’d seen it all by way of Star Wars games, Respawn hits it out of the park with one of the best single-player video games to ever use the license in 2019’s Star Wars Jedi: Fallen Order. Fortunately, there’s not much longer to wait to see what’s in store for Cal’s follow-up adventure. Gordy and Stephen were both really fantastic at drawing together different instrumentation to create new and interesting sounding textures.Star Wars Jedi: Survivor has the tricky task of following up the excellent Star Wars Jedi: Fallen Order from 2019. There was also a day we had not one but three harps AND three grand pianos, not to mention enough blu-tack to sink the titanic. They sound familiar, but not quite what you were expecting. In addition to the main setup we had some alternative setups that featured less commonly used instruments, the Wagner tuba and the basset horn spring to mind, that were chosen for their unique tonal qualities. We did record that ensemble somewhat selectively at times to give us the best blend of a traditional sound and the flexibility and punch of a modern film score. Add in percussion, piano/celeste and harps, and the room starts to get pretty full. 50 strings, triple wind, six French horns, five trombones, tuba and four trumpets. The mainstay of the score is a classic orchestra line-up of 80 or so players. "The orchestra was a scratch band of the best session players in town, fixed by Isobel Griffiths LTD.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |